Each Chitra Vāsa wall is rendered directly onto the wall itself, never a framed painting, never a hung canvas, the architecture becomes the artwork. These pieces, installed across India, are shared as inspiration for your own commission. None will ever be repeated.
No. 01 · Installed
Private Residence · Udaipur
Pietra Dura · Mughal parchin kari
The Sheesh Mahal Dining Room
An eighteen-foot dining wall composed in Mughal parchin kari, flowering vines of carnelian, lapis and mother-of-pearl set into pure white Makrana marble, in the spirit of the Taj's pietra dura panels.
A heroic Phad scroll wall in the tradition of Bhilwara's Bhopa storytellers, kings, horses and royal courts in deep red, indigo, ochre and mustard, framed by a fine Rajput floral border.
Art Forms
Phad scroll · Rajput border
Materials
Hand-spun cotton · Mineral pigments · Antique gold ink
A devotional Kalamkari wall hand-drawn with the kalam, three sanctum vignettes of deities under temple gopurams, surrounded by lotus and paisley borders, in pure vegetal dyes.
A 14-foot drawing-room wall composed in jewel-tone Meenakari enamel, framed by a Pichwai lotus pond. Pearl rivets and uncut emeralds are set into the gold filigree by hand.
An emerald and silver bedroom panel painted as a monsoon idyll, peacocks, lotus, silver clouds. The hidden brass lid carries the scent of the year's first rain.
A devotional Pichwai wall in the Nathdwara tradition, Shrinathji at the lotus pond with peacocks, cows and gopis, painted on indigo cloth with antique gold filigree borders.
Art Forms
Pichwai · Devotional cloth
Materials
Indigo cloth ground · Antique gold border · Mineral pigment
A walnut study with a wall composed as a Mughal court scene, emperor, courtiers, gardens, painted in single-hair brushwork with gold cloud borders and a margin of jewel-toned blooms.
A pooja alcove crowned with a Mysore-style Lakshmi panel, burnished 22k gold foil and raised gesso jewels on a soft pastel ground, framed by floral marigold garlands.
A salon wall constructed entirely in Zardozi embroidery on deep maroon silk, with miniature painted inlays at three vignettes telling a single courtly story.
A jewel-box vestibule rendered directly onto the wall itself, a single restrained lotus medallion in vitreous enamel and gold filigree, with cabochon ruby and emerald set into the petals by hand.